Public service broadcasting
Ofcom review of PSB in Britain
In 2020 Ofcom published its findings from a five year review of public service broadcasting in Britain. Read the introduction to their report - pages 3-7. You'll need your Greenford Google login to view the document.
1) Look at page 3. Why is it a critical time for public service broadcasting?
1) Look at page 3. Why is it a critical time for public service broadcasting?
Audience viewing habits continue to change rapidly and competition from global content providers is ever-increasing.
2) Read page 4. How has TV viewing changed in recent years?
Live broadcast viewing has declined, as audiences increasingly choose to view content at a time that suits them on global online and on-demand content services.
3) Still on page 4, what aspects of PSB do audiences value and enjoy?
‘informs, educates and entertains’.
4) Look at pages 4-5. Find and note down the statistics in this section on how much TV audiences tend to watch and how they watch it.
5) Read the section on page 5 discussing the importance of PSB. Again, find the statistics and explain the value of public service broadcasting in Britain.
The PSB channels are still distinctive in the amount and range of first-run, original UK programmes1 they broadcast. Collectively, they provide audiences with approximately 32,000 hours of new UK content in a wide range of subjects, including news, current affairs, drama and children’s programmes.
6) Look at the section on commercial challenges. How have revenues fallen for PSB channels?
Between 2014 and 2018, net advertising revenue for the advertising-funded PSB channels has fallen
by an average rate of 3.8% per year (compound annual growth rate or CAGR2) equivalent to
approximately £325m.
7) Read page 6. What services increasingly play a role in our media lives in the digital age?
A range of other media services, including commercial broadcasters like Sky and on-demand services like Netflix, extend the choice of content available to audiences. Some have increased their investment in original UK content and so made a valuable contribution to a thriving UK media industry. Notably, Sky has increased spend on original UK drama and has renewed its commitment to its news service, provided on a free-to-air basis. SVoD services have been particularly effective in engaging younger audiences, and our research suggests audiences aged 16-34 years old are more likely to watch a BBC programme on Netflix than the BBC iPlayer.
Goldsmiths report on Public Service TV
Read this report from Goldsmiths University - A future for public service television: content and platforms in a digital world.
1) What does the report state has changed in the UK television market in the last 20 years?
Yet the television sector has
undergone huge changes
over the past generation. The
proliferation of channels has
reduced the market share of the
public service broadcasters – the
BBC, ITV, Channel 4 and Channel
5 – although they have largely
retained their prominence and
developed portfolio services.
2) Look at page 4. What are the principles that the report suggests need to be embedded in regulation of public service broadcasting in future?
2) Look at page 4. What are the principles that the report suggests need to be embedded in regulation of public service broadcasting in future?
Independence, universality,
citizenship, quality and diversity
3) What does the report say about the BBC?
3) What does the report say about the BBC?
The BBC is the most important part
of the television ecology, but the
model of universality underpinning
its public service credentials is
under threat.
4) According to the report, how should the BBC be funded in future?
As a tiered platform-neutral
household fee
5) What does the report say about Channel 4?
5) What does the report say about Channel 4?
Channel 4 occupies a critical
place in the public service ecology
– supporting the independent
production sector and airing
content aimed specifically at
diverse audiences. Its remit has
remained flexible and it has moved
with the times. But it has cut
programme spending; it has largely
abandoned arts programming and
has been criticised for not doing
enough for older children. Recently,
Channel 4 has been threatened
with privatisation, in whole or
in part, a proposal that would
threaten its public service remit.
6) How should Channel 4 operate in future?
6) How should Channel 4 operate in future?
Channel 4 should not be
privatised – neither in full or in
part
7) Look at page 10 - new kids on the block. What does the report say about new digital content providers and their link to public service broadcasting?
7) Look at page 10 - new kids on the block. What does the report say about new digital content providers and their link to public service broadcasting?
Television with the characteristics
of public service broadcasting
now appears outside the public
service system: from Sky and
other commercial broadcasters,
on subscription video-on-demand
services such as Netflix and
Amazon, and through the new
Local TV services. Meanwhile, a
broad range of cultural institutions
– including museums, performing
arts institutions and community
organisations – are now producing
video content of public service
character.
Final questions - YOUR opinion on public service broadcasting
1) Should the BBC retain its position as the UK’s public service broadcaster?
Final questions - YOUR opinion on public service broadcasting
1) Should the BBC retain its position as the UK’s public service broadcaster?
Yes because it has been providing a wide variety of content for over 100 years
2) Is there a role for the BBC in the 21st century digital world?
2) Is there a role for the BBC in the 21st century digital world?
Yes - the BBC is a cultural part of the UK
3) Should the BBC funding model (licence fee) change? How?
3) Should the BBC funding model (licence fee) change? How?
Yes, you should only pay the licence fee if you watch the BBC
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